The event occurs annually each July and this year will be the 15th incarnation of this celebration of great beer and live music. The festival is one of the biggest in Yorkshire and takes place over two days.
There are over 60 real ales & ciders on offer plus craft beers, gin & prosecco bars and home cooked food. Some of the best local bands and performers provide live music entertainment throughout the weekend from both the main stage and our acoustic corner.
Celebrate the real Independence Day on 4 July with The Boss & The Beeston Street Band - Yorkshire’s favourite Bruce Springsteen tribute. If you haven’t caught the real Boss on his tour this year, fear not. The next best thing is coming to The Irish Centre in Leeds on 4 July.
We’ll be performing a three-hour set from 8pm on the real Independence Day featuring all the classics, some seldom heard rarities, and we’ll be playing the classic ‘Born in the USA’ album in full.
Honk are a genre-warping six-piece that are here to rewire your idea of country music. It’s called “Trashcan Country" - a raucous, rough-edged twist on twang. It’s been dragged through the back alleys of punk, doused in garage-rock grit, and left to dry in the blazing sun.
At the core of Honk is their electrifying live show - equal parts hoedown and meltdown - which has earned them support slots with trailblazers like Meryl Streak, Delivery, and Being Dead, as well as consistent backing from BBC 6 Music’s Marc Riley.
Does life have meaning or a purpose? What distinguishes good from evil? Do individuals enjoy free will or is destiny preordained? Critical thinkers – Sartre, Nietzsche, Dostoevsky – have pondered such questions for centuries. Serene Demon dispatches them in under 39 minutes, reflecting Art d’Ecco’s singular focus on his fourth album: “I was determined, in an almost monomaniacal way, to prove that I can do something different. ”
Nubiyan Twist present NT Soundsystem - a new stripped back3-piece dance floor-ready lineup as they VIP remix the entirety of new album ‘Find Your Flame’ in a soundsystem style with live brass - expect a blend of dub, dancehall, amapiano, jungle, garage, kuduru and more.
Nubiyan Twist have built up a name as one of the forerunners of the UK Jazz scene, fusing together global grooves, soul and jazz; intertwined with electronic elements, horn-led melodies and spontaneous improvisation.
In a city full of brilliant people with dead-end jobs and dampened by bitter-cold winters, playing music offers a cheap outlet. Protomartyr’s taut, austere rock was incubated in a freezing Detroit warehouse littered with beer cans and cigarette butts and warmed, feebly, by space heaters. Short songs made for short practices, and the band learned quickly not to waste time. Despite the cold, Protomartyr emerged with a sound that is idiosyncratic but relatable, hooky but off-kilter.
Having made her debut live appearance at the prestigious Roadburn Festival in the Netherlands off the back of a self-titled EP, A.A. Williams has since toured across the globe with the likes of Cult of Luna, Explosions In The Sky, Russian Circles, Sleep Token and The Sisters of Mercy, as well as establishing herself as a headline artist - including a show at the iconic Queen Elizabeth Hall inside London's Southbank Centre.
There is no reason for GHOSTWOMAN’s fourth album to exist. Welcome to the Civilized World is born to a broken world; a corrupt inheritance – Evan Uschenko and Ille van Dessel are under no illusions about its futility – and yet, this thing is alive. It’s an allergic reaction to the times we are living in: a welt that screams to be itched, the purging of a modern sickness they could no longer stomach. Beyond rationality, this record came from a place of gut feeling and a lack of any other option. Hell may have cracked wide open – but GHOSTWOMAN will not go quietly.
The quartet of Zack Borzone (vox), Jack Tobias (synth), Sam Pickard (drums), and Saguiv Rosenstock (guitar) display an innate ability to translate a primitive spirit into a modern form. Born during the lockdown as an experimental project between Borzone and Pickard in Philadelphia, the group expanded as the two moved to New York, adding Tobias for their debut self-titled EP, which was produced by Rosenstock, who was then integrated into the band. That first collection is one of self-discovery, of finding the tools necessary to make songs within the band’s own ecosystem.
As the end of the first quarter of the 21st century inches ever closer, our planet precariously teeters from one crisis to the next. Rather than passively sit back and watch, the high-energy Irish guitar quintet Gurriers are firing on all cylinders and confronting the ills of the modern world on their debut album, Come and See, a truly thrilling collection of razor-sharp progressive punk songs.